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In 2005, Schmidt and Jenko are high school students, one an honor roll geek, the other a cool, athletic underachiever. By 2012, they are rookie cops, paired together, on bike patrol yearning to make arrests. After a screw up, they’re sent undercover back to high school to find the source of a dangerous synthetic drug. They mix up their names, and Schmidt gets the no-brainer classes where he auditions for Peter Pan and falls in love with Wendy; Jenko gets AP classes where he falls in with high-achieving dweebs. This second chance at high school gives Schmidt delusions of grandeur, which threaten the operation. Can they sort out their relationship as they stumble onto the bad guys?
The only thing getting blown tonight is their cover.
I found myself laughing multiple times throughout. My spouse concurred. One late, unnecessary gross-out moment brought it down a notch. The film hadn’t used any of those gimmicks and didn’t need to in the end. It just seemed a bit out of place and distasteful.
21 Jump Street sounds like a terrible idea on paper: a big screen adaptation of an ABC TV series from the 80s. Was anyone really clamoring for that? Was there any reason to adapt that into a feature film in 2012? It sounds like just another example of Hollywood cashing in on an established franchise, akin to the decision to make a movie based on the board game Battleship. As it turns out 21 Jump Street is barely an adaptation, and it isn’t just an excuse to capitalize on an old concept. Directors Phil Lord and Chris Miller, the team behind the brilliant and absurd Cloudy with a Chance of Meatballs, use the fact that nobody is too invested in the source material to their advantage, subverting all expectations for what a movie like this would be.
